ST DS9 "Chrysalis" TV Production Report + Script + Card *MULTIPLE SIGNATURES* For Sale

Pink Script Pages - dated 8-18-98

Pages are for teaser and Act 1

• Pink Script Pages - dated 10-6-98

Pages are for pick-up shots at the end of Act 3 and Act 5

• Skybox Memories of the Future card #98

Depicts Bashir and Serena [sic]

• Signed in blue ink by Alexander Siddig

• Manila folder with yellow sticky note that reads “Chrysalis” and “For Gayle”

Handwritten note from Alexander Siddig (see below)

• CS (white) - dated 8-19-98

REVISED CS (blue)

• CS (white) - dated 8-20-98

• CS (blue) - dated 8-21-98

• CS (white) - dated 8-24-98

REVISED CS (blue)

• CS (white) - dated 8-25-98

REVISED CS (blue)

• CS (blue) - dated 8-26-98

REVISED CS (pink)

• CS (blue) - dated 8-27-98

REVISED CS (pink)

• TPR - dated 8-19-98

Signatures include: Avery Brooks, Alexander Siddig, Faith Salie (Sarina)

• REVISED TPR (photocopied signatures)

• TPR - dated 8-21-98

Signatures include: Alexander Siddig, Tim Ransom (Jack), Hilary Sheppard-Turner (Lauren), Michael Keenan (Patrick), Faith Salie (Sarina), Dennis Mandalone (stunt coordinator), Christopher Caso (stunt double, Jack)

• TPR - dated 8-25-98

Signatures include: Alexander Siddig, Tim Ransom (Jack), Hilary Sheppard-Turner (Lauren), Michael Keenan (Patrick), Faith Salie (Sarina)

• TPR - dated 8-26-98

REVISED TPR - all signatures are photocopied

• PHOTOCOPIED signatures include: Nana Visitor, Colm Meaney, Alexander Siddig, Rene Auberjonois, Armin Shimerman, Faith Salie (Sarina)

• TPR - dated 8-27-98

REVISED TPR - all signatures are photocopied

• PHOTOCOPIED signatures include: Colm Meaney, Alexander Siddig, Nicole deBoer, Aron Eisenberg, Tim Ransom (Jack), Hilary Sheppard-Turner (Lauren), Michael Keenan (Patrick), Faith Salie (Sarina)

• TPR - dated 8-28-98

2nd Unit

• Signatures include: Alexander Siddig, Nicole deBoer, Faith Salie (Sarina)

• REVISED TPR (photocopied signatures)

ABOUT THE SELLER: I run Sid City, the official fansite for Alexander Siddig since 1998. Over the past 3 decades, I have accumulated a number of unique Star Trek collectibles which have been languishing in storage. Be sure to check out my other listings or reach out if you're looking for items for a specific character or episode.
GLOSSARY
Television Production Report (TPR)

A Television Production Report (TPR) is a written record of a single day of production on a TV show. This double-sided, legal-size (A7) green sheet of paper includes the date, name of the episode, name of the director, how many scenes were shot that day and how many scenes remain for that episode, how many hours were shot, how many sound rolls were used, which sets were used on which stage, cast and crew on set that day, and notes about cast and crew member changes such as a camera operator leaving early and being replaced by someone else or a cast member being pulled to work on a different episode. The TPR also includes a section where cast members sign in when arriving on set.

These TPRs were completed by the script supervisor, and the information was later entered into a computer. It’s my understanding that after the paper version was no longer needed, most were recycled, but some were given to Gayle, who later passed them along to me. Unless otherwise noted, the handwritten portions of the TPR are original, including cast signatures.

Call Sheet (CS)

A Television Call Sheet (CS) provides advance information to the cast and crew about a specific day of production. The CS includes which cast and crew members are needed on a specific day, what time cast members are to report to makeup and wardrobe, what time they are to report to set, notes about rehearsals, which scenes are being filmed on which sets, props and special wardobe instructions, and more.

The CS was photocopied and provided to each member of the cast and crew. First drafts are on white or blue, legal-sized (A7) paper with revisions copied on pink, yellow, buff, etc. Note that any CS included in these bundles is a photocopy, not the original. However, despite being commonplace on set, or perhaps because they were so common, most were tossed in with recycling. The few that survived are true collector’s items.

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